Thursday, 1 December 2016

Project 1, Task 7: Evaluation


What happened?

For my assessment I performed an original piece, 'He's so good to me' by Better Than Nothing (our band), and a true to form cover, 'Come Together' by The Beatles. The band practised 3 times a week for 3 weeks as preparation for the performance, one of which was in the band skills lecture. I believe the performance went incredibly well as a whole - the cover was tight to the original despite some flaws which were quickly recovered from such as vocal coming in at an incorrect part. However due to the band's constant performance and time keeping they found their part and the band carried on as usual. The original was a 12 bar blues which was smooth and had mini solos throughout. I personally thought that this was our best performance of this piece yet as everyone was incredibly confident with it and was solid as a band. Eye contact was made between instrumentalists during the performance so that we knew the queues and could communicate efficiently giving the song a better sound resulting in a better performance overall.

What were you thinking and feeling?

I was feeling prepared for the assessment as the band and I had practised a moderate amount and we were all confident with our performing and the performance we were putting on. We were constantly thinking about exchanging looks so that we could communicate during the performance as any band should so that the performance was smoother. If there was one concern for me it would be staying in time as I had been practising with several other bands prior to the performance all doing different and similar songs at different tempos however after I laid down a solid tempo to the original I knew that it was good for the song and could maintain it.

What was good and bad about the experience?

One of the best parts about this performance in comparison to the previous one, and I believe that this was a thing that made it a lot better than the previous assessment, was how comfortable I felt with the band due to that extra practise time and that we all got along really well. It made everyone play better as we could really trust one and other to know the parts. However, there was a fill which sounded sloppy due to me not playing it confident enough so it does not sound as powerful and nice as it could have done. There were other minor details however that one sticks in my mind the most - I am awaiting feedback from the assessor. Overall I think the performance went well from the entire band I need to look at my fill placement during rehearsals so that they don't sound as sloppy in the performance. This can also be looked at during my individual practise sessions so that I can avoid this in the future with other bands.

What sense can I make of the situation?

Although I increased the amount of bands I performed and practised with I will only be assessed on one performance. I now know that I need to get the band I will be assessed to do more 'set practises' (practises which resemble the entire performance; transitions from song to song and how the frontmen address the audience). This way the next performance will be fluent in all aspects, not just the playing. I have made sense out of the fact that I need to make the band perform like it's the assessment more as it felt a bit stiff at times.

What else could I have done?

As previously stated with what I made of the situation: I need to do more actual performances of the set with the bands. I could also get some other bands (or maybe lecturers) to sit in to dual as an audience and a source of constructive criticism. This way we can emulate playing in front of others as well as gaining instant feedback.

What would I do differently next time?

I would perform more to people in practice so that we could gather feedback which wasn't from us and also use the tutors in the lesson more so that they can correct us resulting in a better performance. Despite us making use of a lot of ACM's resources next time I would aim to use more including people to learn what needs improving so that the performance is polished.


Monday, 21 November 2016

Project 1, Task 5: Social Media Event

We decided only to give vague bits of information on our event page however we left enough detail in to keep those who would be invited interested and wanting to know more. We called our band 'the infinity' because there are infinite possibilities with what we can do with our band. We decided to use Facebook to promote our event as it is the most widely used social network and it is easy to add new posts and extra information to those who confirmed their attendance.
We mentioned the cover song first so that the audience know what they are in for with our performance. We also showed a picture of us performing to evidence that we are a band that can play together and get along well.


Tuesday, 15 November 2016

Metal Workshop - Proof of Attendance

We created this song over the course of weeks at the metal workshop and performed it there too.

Click here to view

Friday, 4 November 2016

Project 1, Task 3: Contextual Awareness

The Beatles had a huge effect on pop culture and the world. The band from Liverpool consisted of 4 primary members consisting of John Lennon, Paul McCartney, George Harrison and Ringo Starr. The band formed in the 60’s.

Every member of the band sang at one point however Lennon was mainly known for Vocals, Guitar and occasionally the Harmonic. McCartney was also mainly vocals and Bass. Harrison was known for Guitar and also got a lot of attention as he played the Sitar which was unusual in British music and Ringo was the drummer. As time progressed and equipment changed, so did the gear of The Beatles. Lennon and Harrison both used the Gibson J-160E frequently. As far as keyboards and pianos go they have used over 16 in their time playing varying from uprights to grand pianos. Ringo primarily used Ludwig kits with either Paiste or Zildjian cymbals. McCartney had a custom bass ordered whilst the band was in Hamburg. It was a left-handed Höfner model 500/1 "violin" bass.

The Beatles became popular around the time where parents could afford to give their children money periodically meaning that they can save up and purchase vinyls and tapes at the time. This was fortunate for The Beatles as it was safe to say, despite them being widely popular with a lot of people, their primary fan base was teenage girls. A lot of their music was also written to make statements to the politics and even the world. The first live song debuted on international TV was performed by The Beatles titled ‘All you need is love’ which was a song about the world coming together and loving one and other. They have many other songs which state many problems. The members of the band, especially John, were very big on peace and wanted their music to be served as a peaceful statement.

The Beatles sang songs about different wars. To name one, Revolution was Lennon's response to the Vietnam War, however, the songs Yesterday and All you need is love are all about war. All of these songs shed a different or larger light on these issues to the listeners as it brought the suffering into the public view. It paints a picture of what war can do to people and how it can change lives.

You would be correct in assuming The Beatles generated a lot of money but they only received a penny for album sold which was around $4. The Beatle's most expensive album to make was Sgt. Pepper coming in at £40,000. This is a huge leap from their first album Please Please me which took a day to record and cost £400. Sgt. Pepper used a variety of recording techniques in various locations whereas Please Please me was just one or two takes as they had rehearsed the song so much.

The Beatle's inspired many new fashion trends such as the Mop Top which was named due to the fact that it looked similar to a wet mop. Another fashion inspired trend was collarless suits which were popular with the mod youth of 1960. A huge fashion impact they have had which has stood the test of time is Beatle boots which are Cuban heeled Chelsea boots. As the band progressed and changed so did their fashion. As they entered their psychedelic phase they dressed more flamboyantly with velvet jackets, bright scarves and acid colours.


Monday, 31 October 2016

Weekly Practise Update 24th Oct - 30th Oct

As this was Reading Week I focused more on practicing things I enjoyed playing too however I maintained focus on technique throughout.

As I was travelling I could only manage an hour of practice each day on my practice pad however I could access rudiments on my phone.

Monday 24th was spent on 7/4 fills on my pad to increase my fluidity and overall feel of the time signature (1 hour)

Tuesday 25th was spent on left hand traditional grip to improve my jazz playing (1 hour)

Wednesday 26th was when I visited the studio where I used to work in Mansfield, The Old Library. Here I was able to practice my studio skills with my former co-workers and also got 30 minutes of kit practice on Metal playing to improve my knowledge and playing of the genre.

Thursday 27th I spent roughly an hour on reciting Crazy Army from memory at 95bpm

Friday 28th I spent 30 minutes practicing to music on my practice pad as I did not have much time and I did not want to go a day without practice.

Saturday 29th I got the train back to Guildford and I spent 1 hour and 30 minutes on the rudiments in the course book, despite knowing them, I wanted to re-assure my memory of them for future lectures.

Sunday 30th I spent 3 hours in Room 7 playing to my phone on shuffle demonstrating a variety of fills and grooves from different genres to improve on my flexibility between genres.

Weekly Practise Update 17th Oct - 23rd Oct

 In my first practice session on Monday 17th I focused on fills used in more swung and jazzy styles of music such as jazz and funk as preparation for the lecture on 16th note grooves commonly found in those genres. I focused on using my left hand primarily during the rudiment practice session to increase the fluidity of my fills.

Tuesday 18th was spent on grooves, getting behind the music particularly and making it sound appropriate to the song. This was to help with studio work - if I am playing toa song then this makes me sound more stylistically aware. Outside of music I maintained my practice to my second language which is Spanish.

Wednesday 19th had 30 minutes of unscheduled pad practice on singles as well as the 2 hour theory past paper from 2014 in which i achieved a distinction and the 1 hour spent on a keyboard revising major and minor scales from memory.

Thursday 20th had 1 hour of keyboard technique practice so that I can portray ideas to bands easier without the use of tuned percussion. There was also a 45 minute rehearsal with that was meant to be an hour however I had project group.

Friday 21st is when I perform random rudiments focusing equally on both hands whilst looking at my technique in a mirror to ensure the grip is perfect and not tensing or anything. I also jam with random classmates for fun and to improve at the same time.

Despite the weekends having nothing scheduled as I like to remain free lest there is a  gig opportunity or something I spent oj Saturday 22nd 1 hour on my practice pad focusing on my left hand's traditional grip and on Sunday 23rd I recorded a drum part for a friends song which will be featured on my blog when it is released. After this I spent 3 hours in Room 7 playing to songson my phone on shufle varying from Jazz to Metal

Thursday, 20 October 2016

Weekly Practise Update 9th Oct - 16th Oct

Sunday 9th October

1 hour spent in rudiments to improve techniques
1 hour spent going over fills taught in Monday's technical development class

Monday 10th October

3 hour long band rehearsal for function band

Tuesday 11th October

Theory Revision for 1 hour 30 minutes to improve my playing on tuned instruments
1 hour snare sight reading exercise to improve my sight reading

Wednesday 12th October

2 hours spent in keyboard sight reading and technique
Time spent looking for an electric tuned perc. instrument.

Thursday 13th October

First scheduled rehearsal with Forty Minutes Late
Played 'Crazy Army' at 90bpm for 30 minutes to.improve my technique. Primarily sticking and handle on the stick.

Friday 14th October

1 hour spent practicing in the mirror to improve my handling of my stick
2 hour long jamming session to improve my playing with others and improvisational skills

Saturday 15th October

1 hour and 30 minutes spent going over all Vic Firth's 40 essential rudiments at 175 bpm leading with my left hand to improve my left hand technique in match grip

Sunday 16th October

1 hour spent managing my management website
1 hour spent practicing my traditional grip in my left to improve my jazz playing and ghosting.


Saturday, 8 October 2016

Weekly(ish) Practise Update 1st Oct - 8th Oct

Saturday 1st October

2 hours spent on rudimental piece 'Crazy Army' by Ed Lemley
Spent time managing blog

Sunday 2nd October

1 hour and 30 minutes spent jamming alone on kit in Pods

Monday 3rd October

Formative Assessment for Technical Development       Video
1 hour practising Adele's 'Rolling in the Deep' for Band Skills Formative Assessment on 4th

Tuesday 4th October

Made notes for essay set in Music Culture
1 hour rudiments on practise pad

Wednesday 5th October

Formative Assessment for Band Skills
Attended a gig at Bar 13

Thursday 6th October

1 hour spent attempting to learn the Purdie Shuffle
Research and preparation for the next Band Skills Assessments song

Friday 7th October

1 hour spent practising the piece 'Crazy Army' by Ed Lemley
1 hour on the 40 basic rudiments

Saturday 8th October

Watched documentary Maceo Parker - My Name is Maceo to develop knowledge on funk as a genre and the history of.

Divinity Roxx Masterclass - Proof of Attendance



Vocal Masterclass - Proof of Attendance


Here is the link that proves I attended the vocal masterclass on 3rd October 2016

New Project - Achievement Music

During my free time I decided it would be a beneficial idea to manage a few of the students here at ACM, I have p[rovided above a link to the website (Not quite finished) which will contain the links to all of those being managed's Social Medias.

This project is to keep me occupied when I am not performing or practising

The domain is registered as www.achievementmusic.co.uk

Thursday, 6 October 2016

Band Skills Formative Assessment Review

What happened?

I performed Adele's 'Rolling in the Deep' with a band and a click

How was I feeling?

Although I had practised the song frequently with a different band I was nervous with working people which I had never played with prior to the assessment. This worried me as I was depending on them to listen to me and stay in time

What was good and bad about the experience?

Although i did keep a solid backbeat throughout the piece and played in all the right places the performances however, as the band had not played before there wasn't much of a connection leaving the performance as a whole feeling a bit stiff. Any mistakes that may have been were not dwelled on during the performance but they were mentally reviewed after.

What sense can i make/tale from the assessment

I should not only rehearse the song with people i commonly play with but with the people i will be taking the assessment with too. This way we can have a better connection whilst performing making our performance more refined.

What more could I have done

I could have got into contact with those in my lecture and rehearsed with them to get a more fluent performance. I feel like a practised the song an adequate amount on my own and with others   just not those I will be performing with. When I get the footage back I will focus on what else i can do

Action Plan

For the next Band Skills assessment, I will rehearse the song with those I will be performing to improve the final performance.I will also listen to different versions of the song to give me a wider understanding of what can be done to it to make it more interesting.

Monday, 3 October 2016

Technical Development Formative Assessment Review

Using Gibbs' Reflective Cycle I will assess how my formative assessment went well and could have ben improved

What happened?

I performed a 4/4 shuffle groove at 160 bpm where I demonstrated 3 bars of the groove itself and a bar of fills using a selected rudiment. The rudiment was the Para-Diddle-Diddle and I played it around the kit. I repeated this pattern for 16 bars and in my opinion it went incredibly well.

How was I feeling?

I was feeling confident for my assessment as i had practised at least and hour daily prior for the week and I had practiced the content earlier that day. Due to me doing graded examinations prior to the assessment I hardly felt nervous about being assessed by someone.

What was good and bad about the experience?

Overall the experience went exceedingly well, I stayed in time in all 3 exercises however I did have to alter my septuplet doubles as I was buzzing them making them sound more like a roll when they were meant to be lear doubles.

What sense can i make/take from the assessment?


I felt prepared and comfortable whilst performing however I need to make sure my doubles do not merge into a roll, this habit likely bled through from my orchestral and show playing.

What more could i have done?

In order to prepare more for the assessment and i can practise y doubles more rather than other rudiments/playing alone to a backing track or click.

Action Plan

For the next assessment i will put aside things i regularly practise and focus even more on the assessment material.




Click here to go to the assessment video

Saturday, 1 October 2016

Weekly Practise Update 24th Sep - 30th Sep

Saturday 24th September

2 hours spent practising Vic Firth's 40 essential rudiments at 165 BPM, this was primarily to improve my sticking around the kit and improve my fills.
A further 1 hour 30 minutes was spent on my left-hand match grip so that my technique on my left can be as concise to that of my right.
30 minutes was spent listening to various live performances of Adele's Rolling in the Deep to prepare for band skills

Sunday 25th September

2 hours spent playing to various jazz and rock songs in Room 7
1 hour spent practising the rudiments to be 'introduced' in Monday's Technical Development Lecture
Sat Grade 4 ABRSM theory past paper - Distinction 94

Monday 26th September

1-hour practising Adele with band, link to today's practise here
1 hour 30 minutes practising paradiddles, double paradiddles, triple paradiddles and paradiddle-diddles at 160BPM for formative assessment on Monday 3rd

Tuesday 27th September

1 hour 30 minutes practising triplet and septuplets at 160BPM for formative assessment on Monday 3rd

Wednesday 28th September

Attended Divinity Roxx masterclass
2 hour Adele practise session with band

Thursday 29th September

Practised with new band for 1 hour
2 hour Adele practise session with band

Friday 30th September

2 hours spent on the kit in Room 7
30 minutes spent on technique

Thursday, 29 September 2016

Band Skills Progress - Rolling in the Deep

As the band has been learning the song we are progressively getting better. We have improved on our syncopation and as an individual I am becoming ore familiar with the song, despite having performed it prior to being assigned the piece.

We have evidenced our performances via these links:

22nd September Practise
26th September Practise
28th September Practise
Whilst the performance is shaping up to be entertaining, my main weakness is my transition from sitting and playing to standing and clapping, as evidenced on the third video

Tuesday, 20 September 2016

Jazz Workshop - Proof of Attendance

Apologies for the poor editing - Video of event and Image with ID (within the video)

Previous Accomplishments - Earth Below

Earth Below are a band based in Nottingham, I was their drummer and assisted in song writing, we also collaborated with another local artist Rob Green. Here's some of our content and live performances:

EP (Released 29th May 2016): 
https://itunes.apple.com/gb/album/almost-there-ep/id1121987364
https://open.spotify.com/artist/3lUQkxrmTTe9lAcfIkioEn

Music Video: https://www.youtube.com/watch?v=QsvoyvP_2AY

Our Songs Live: https://vimeo.com/album/4032306/video/159368200

Collaboration Live ft. Rob Green (Drum Solo at 3:30) : 
https://vimeo.com/album/4032306/video/159368200 

Collaboration Finale ft. Rob Green: 
https://vimeo.com/album/4032306/video/159389652

Photo from the performance at the Royal Concert Hall, 23rd February 2016